Where I’ve Been…

You know when you blink and then all of a sudden 322 days have passed without writing a blog post on a site you spent years loving and caring for?

Yeah that happened to me.

I never stopped thinking about my little place on the internet (cue the violins) and I did give this site a little make over at some point in the last year. However, never being able to prioritise this blog along with having other life commitments, meant it fell to the wayside. I’m not sure why I think now is a good time to come back, being busier than ever, but some force has given me the push.

For now, I’m attempting to make a return, it may be *temporary *permanent *long-ish term (I’ll pick one that fits as we go along) because ultimately I always come back to this place. It’s mine. It’s familiar. And let’s be honest it’s a permanent space for my thoughts/life/career events than Instagram’s terrible algorithm ever will be.

So enough of me guiltily excusing myself to the Internet, where have I been?


Finally, after three years of hard work I graduated from University of Bolton with a First Class Honours Fashion Degree. That meant the beginning of this year was spent working my a** off trying to get the best grade I could possibly achieve. Without giving too much away, *blog post of the day incoming* I’m pretty happy with myself and the collection I created. It’s been an unexpected transition to get used to life without working towards such a creative degree and I’m still trying to process the emotions attached to that. But I’ve managed to not quite escape the education system just yet…

Entering the ‘Real World of Work’

I try to stand by the mindset of everything you put into life, is what you’ll get out of it *imagine a more succinct version of that quote here*. For example, a time doesn’t come to mind when I’ve ever turned something down because you just never know what saying yes will lead you on to. It’s also basically the no.1 rule of a graduate that you take every opportunity offered to you because they won’t come around often.

It was through making contacts with different people that lead me to my first part time position in the working world. I’ve learnt a lot in such a short space of time and I’m grateful for the opportunity. I’ll *hopefully* have a post uploaded fully introducing the role, what it entails and how I’ve been multi-tasking. And if you are too eager to find out who I’ve been working with, I did upload an instagram post announcing it a few weeks ago (@sophiesamantha_fashion).

Back to Uni

It’s an intimidating prospect to have to decide what to do with your future, at any stage. But when it came to finishing my undergrad, I knew I wasn’t quite finished with education. Weird, I know. There’s still so much I want to learn, I knew studying an MA had to be on the cards. Cutting a very, long story short, I started studying at Nottingham Trent University in International Fashion Management. Ultimately, because I want to learn the business side of the industry and understand how I could potentially one day manage my own brand. It’s a huge culture shock and a completely different educational framework to what I’m used to but I just have to focus on the end goal, reminding myself why I’m here. Overall, I’m still in the early stages of the course but it is really interesting. However, trying not to burn out early on in the semester is proving a real balancing act, so wish me luck on that one.


Coming back to this blog has been less daunting than anticipated and a comfort to fall back into the rhythm of writing. The important question is, how long will it last?

See you next week, I hope.

Portfolio Access

If you’d like a preview of my portfolio showcasing my graduate collection ‘PWR-FL Femininity’ you can check out my arts thread by following this link:


Moreover, I post regular updates over on Instagram. To follow, click the following link: https://www.instagram.com/sophiesamantha_fashion/

If you’d like access to my digital portfolio, please email me at scottsophie647@gmail.com

In Pursuit of Fashion: A New York Exhibition

At the start of the year, I was fortunate enough to get to New York before the world came to a standstill. And whilst it feels like it was a lifetime ago- thanks corona– I couldn’t not share one of my favourite exhibitions.

Can we start with where it was? Only the flippin’ Metropolitan Museum of Art. My brain isn’t sure what to reference first, Blair and Serena on the steps, ‘The METS suck’ – FRIENDS fans will understand- or of course the MET Gala, one of the biggest Fashion Events of the year. If you didn’t understand any of those, I apologise, but I can assure you standing on those steps, I definitely shed a few happy tears inside.

Anyways, onto the exhibition itself. It was titled ‘In Pursuit of Fashion: The Sandy Schreier Collection’ and the 80 pieces on show were an incredible archive of Fashion’s history.

Christian Dior ‘Du Barry’ Evening Dress Autumn/Winter 1957-58

Starting with one of my favourites, I adore everything about this one; the silhouette; the bow detailing and of course the pale blue silk satin. For some reason, Cinderella vibes come to mind?

Moschino Cheap and Chic ‘Art is Love’ dress Spring/Summer 1993

Apparently taking inspiration from YSL, Moschino replicated the modernist art. The complexity of ownership is arguably highlighted with this piece.

Charles James Evening Dress 1952-54

I love the elegance of this garment, with the head piece only adding to its beauty. OBSESSED. Also majorly appreciate the layers of tulle adding depth, yes please.

Whilst I think one positive to come out of this year is the accessibility of exhibitions and events after the shift to online platforms. And I hope that doesn’t ever disappear. I’ll be very happy to step inside a museum/gallery/anywhere different at this point. Future note to myself to not take for granted new experiences ever again.

Finally don’t forget if you want regular updates, Instagram usually sees it first: @sophiesamantha_fashion

What I Learnt from Fashion Revolution’s FREE Online Course…

On the 22nd of May I finished my second year of University. And by the 13th June I had completed Fashion Revolution’s 4 week course on Fashion’s Future and the Sustainable Development Goals. Some might say I couldn’t bare the thought of having zero form of education. Realistically, I just had to take advantage of the resources available before Future Learn made me pay into a subscription- #poorstudentlife.

Anyways, I thought it would be beneficial to document somewhat of an overview of the month. For my own reference, and with the possibility that something sparks an interest or at the very least, sits in your subconscious until triggered.

Week 1

The first week seemed to be a general introduction into how sustainability can be defined; holistically in the industry and generally how it should be achieved within planetary boundaries (Johan Rockström, 2007). Finally, briefly including which of the UN’s Sustainable Development Goals (SDG) would coincide with the course- circled above.

Week 2

The second week dived into SDG 1 (No Poverty) and SDG 5 (Gender Equality). The Fashion industry- in particular fast fashion- have arguably a lot to answer for when it comes to garment workers receiving in most cases, a ‘below the living standard’ income. Deloitte Access Economics for Oxfam found that 4% of the price of a piece of clothing is estimated to make it back to the workers. Side note: If you haven’t been following #PayUp on Instagram, then get to it! The pandemic has caused BIG brands to cancel BILLIONS of dollars worth of orders, leaving garment workers in crisis mode.

Meanwhile, I found it equally as interesting that CARE International included 1 in 3 women working in garment factories had reported sexually harassing behaviour in the last year. That already doesn’t sit right with me, without thinking about all the times it wasn’t reported. However, one initiative worth researching is the Good Business Lab. Their projects include; unlocking female labour; improving work environment; closing the skill gap and building holistic health.

Week 3

From the third week, I was learning about the damaging, waste culture of the industry. For example, its estimated the fashion industry emits 1.2 billion tonnes of CO2e a year. With clothing as the 4th largest environmental impact after housing, transport and food in the U.K (WRAP).

More specifically at SDG 14: conserve and sustainably use oceans, seas and marine resources. Synthetic fibres such as polyester, are made up of microfibres that can shed over its lifetime, particularly when put in the washing machine (Environmental Audit Committee, 2019). 35% of all microplastics come from clothing and textiles and its expected by 2050 for there to be more plastic than fish in the sea. Fortunately from the course, I learnt that France are leading the way for improvement. In February 2020, the country brought in legislative steps for microfibre pollution. Including that by January 2025, all new washing machines will have to include a filter to catch the microfibres before they’re released into water systems.

Week 4

By the final week it was time to look at the industry’s options. The initiatives already in place such as Lenzing’s ‘Refibra Tencel’ fabric that uses pre-consumer cotton scraps and wood pulp. Or Swedish government proposed a 50% tax break for repair on shoes, clothes and bikes which supports the ‘make do and mend’ mentality we should have. Finally, the industry should try to implement circularity through rental or resale. Furthermore, circularity through manufacturing which would phase out hazardous chemicals.

Overall, I was thoroughly fascinated by the Fashion Revolution course, through the amount of topics covered and the quality of content. Moreover, because of its impact, I’ll be uploading another post based on one of the assignments I had to complete for the course. Until then, as Fashion Revolution states:

Be Curious. Find Out. Do Something.

Easley Magazine – 2019

What I Wore in New York

Like many isolating from home, I’m thinking of all the day-to-day tasks I was taking for granted; being able to shop without restrictions, leave the house for longer than an hour and having social interactions with someone outside of my household. Of course I’m willing to comply for as long as needs be to ensure the change that ultimately slows down this deadly virus.

However, whilst it may feel as though we’ve been on lockdown an eternity, (how have two weeks felt so long?!) the U.K in particular had the first couple months of 2020 to enjoy. Personally, the start of my year couldn’t have gone better with a trip to New York in the back end of January. And whilst I’m not here to ignore Covid-19, I want to continue what this blog once was, a space to share my interest in fashion.  Meanwhile I’m sure posts on the virus will appear, just once I’ve collated the right words to use…



Speaking to those who’d been to the city, all advised the same thing; LAYERS, LAYERS AND EXTRA LAYERS. So I tried to go for warmth as much as possible with my wardrobe to ensure I could comfortably explore New York. For the first full day, I had the idea to experiment with layers visually rather than thinking about practicality and thermals. Pinterest and Instagram are my go to sources for streetwear inspiration, so it must have subconsciously stored in my brain at some point to layer a roll neck under a jumpsuit. Quickly, this jumpsuit has become a favourite of mine because of its versatility, being able to layer underneath with different weights of garments or on its own. Trying to keep your wardrobe to key pieces can be done through finding garments that can be flexible through seasons.

xdf       Outfit Details:

  • Jumpsuit: Topshop
  • Roll Neck: Zara
  • Boots: ASOS
  •  Coat: Topshop


7Throughout the trip, we were really fortunate with the weather, I’m pretty certain it didn’t rain during the day and whilst it was cold it wasn’t unbearable. I was really happy with the styling of this outfit, I think the beige and white work well, going with the earth tones vibe. With the white jeans, it was a purchase I really took my time over, I wanted to know I was sure I’d be able to pair it with a lot. But I think it effectively contrasts with the other garments and balances well with the black coat.


      Outfit Details:

  •  Jumper: Topshop
  •  Jeans: Topshop
  •  Headband: Topshop


5Come the third day, I switched out my black coat for a much thicker and in turn warmer pink one. This released some pressure over what basics I should wear under my visible outfit because I knew how warm it would and did end up keeping me. With this outfit I turned to black jeans, knowing there was enough going on with the polka dots and pink.

3        Outfit Details:

  • Coat: Topshop
  •  Top: H&M
  •  Jeans: Topshop
  •  Scarf: Topshop



The day we were flying home, I needed a comfortable yet you’re-still-in-new-york outfit. So with leggings being comfortable, they also became a must. Layered with a Jumper and a black top underneath in case I got too warm on the plane.

      Outfit Details:

  • Jumper: Topshop
  •  Leggings: Topshop
  •  Trainers: Topshop

Back soon,


T-Shirt: Cult, Culture, Subversion Exhibition

Seemingly, it doesn’t matter how many posts you’d like to write, if you don’t have enough hours in the day, your blog is slowly going to die a painful death.

New tactic.

To incorporate your degree with your blog, so you can be blogging and still technically be doing uni work.

In all seriousness, my second year at university has kicked up a gear and I’m struggling for time to do anything. My Fashion degree is obviously something that consumes me and therefore needs to filter through into this blog. Starting with a recent visit to a T-Shirt exhibition that was a part of the British Textile Biennial.

The first stand I was drawn to in the exhibition was the selection of climate change t-shirts. They varied from hand drawn pieces overlaying commercial graphics to simple yet effective stand-alone text tees. Luckily, the t-shirts stood for what was printed on them. One read ‘Single Use Plastic is Never Fantastic’ (designed by Henry Holland in collaboration with BRITA) and was made using recycled plastic and salvaged cotton.

4 From climate change to political issues, specifically titled ‘Personal/Political’ deriving from the slogan ‘the personal is political’. I thought that this section in particular covered a lot of issues in one. Which only highlights the aim of the exhibition as a whole to start the discussion of fashion being an avenue for communication and personal expression.


A big influence in the exhibition was the work of Vivienne Westwood. The pefect choice, that I thought encapsulated what the collection stood for. The particular piece above was from Westwood’s runway for Spring/Summer 2018 and I think its a t-shirt in its peak  of importance during a time of awareness against fast fashion.

Another selection of t-shirts came bearing empowering quotes which further highlights the premise of the collection, demonstrating t-shirts being a really impactful communication tool. Whilst I feel the one on the right (‘We should all be feminists‘) has a great importance it has definitely circulated a lot more. Whereas, I particularly loved the left tee ‘What other people think about you is none of your business’.

7Finally finishing with this masterpiece, obviously I adore the quoted t-shirt and once I’ve finished writing this I’ll be googling where I can get my hands on one – a sustainably and ehtically produced one of course. But I just really appreciate the scale in which Vivienne Westwoods face has been printed onto the t-shirt behind. Go big or go home, I guess.



OOTD #30: A Richard Allan x H&M Collaboration?!

It’s probably fair to say that the Richard Allan x H&M collaboration was one we didn’t know we needed. But it has by far excited me the most…

Richard Allan’s bold, abstract prints have been reworked and released with H&M to create the most stunning collection, unlike anything else on the high street.

Outfit Details:

Stand-up Collar Satin Dress

Patterned Scarf

Inspired by the swinging sixties’, along with the most perfect colour scheme, each garment is perfect for Autumn/Winter.

H&M wrote up an interview with Cate Allan (Richard Allan’s daughter) introducing their ‘wearable art’ collaboration. I found it really informative to read, not only for the vibe of the collection but also details of the designer himself. Article linked here.

I am obsessed with this dress and will figure out what to pair it with in the U.K’s colder climate. I’m also going to attempt to get other pieces in the collection, the patterned boiler suit has my attention but who knows if I could pull it off.


Fight Against Plastic: An Experiment

With Boots announcing their plan to ban plastic bags in the news this past week, it reminded me of my aim to write more on being environmentally conscious. With time on my hands, I’m able to read up on and learn different lifestyle changes I can make. In this post, I’ll include the things I’ve started to do and the goal being by the end of Summer, I’ll post whats been maintained and added.

Muslin cloths replacing Makeup wipes

Initially, I thought the hardest one to maintain would be to go without makeup wipes. In truth, its been much easier than expected, if you don’t have something, you make do without. It’s probably better for my skin because now I have to double cleanse after wearing makeup. Muslin cloths are also much softer to use on my skin, easy to wash and zero waste.

Okay, I can’t stop using ALL wipes…


Purely from the house I’ve grown up in, we always have wipes in the bathroom but I don’t know whether this is a standard or uncommon thing to do? Anyways, it was a ‘This Morning‘ segment I watched where I learnt that wipes don’t biodegrade and whilst they can state ‘safe to flush’, they’re not safe for the environment. So until I stop using wipes all together, I think I’ve found the best option; biodegradable; compostable; suitable for vegans and 100% organic cotton- Amazon link here.

Reusable bottle, single use plastic who?


An obvious one is to invest in a refillable bottle because there’s really no excuse to buy a single-use plastic bottle anymore. I bought this one from Amazon and think its the perfect size because I know I can leave the house and know I’m not about to have an empty bottle within five minutes.

A cute Tote

3Similar to the bottle, there is no reason to not be using re-usable bags. My go-to is this one I bought from the design museum in Milan, I think its much prettier than any 5p bag I’m offered in stores. Also, it might be a good idea to just have one in the boot of your car, then you’re never caught off guard with a spontaneous shopping trip.


After sharing what is probably the bare minimum of what I’m doing to use less plastic, my next read is ‘Turning the Tide on Plastic‘. Hopefully, by the end of it, I’ll have accumulated more plastic-free lifestyle changes and be able to have a more thorough post by the end of Summer.


Taking Inspiration from the Harris

Something I don’t write a lot about on this blog, is where I get my inspiration from to help with my course. If you didn’t know, I’m currently coming towards the end of my first year of University, studying Fashion. Due to the creative nature of the degree, I’m always aware of what could inspire me. A couple months ago, I visited the Harris in Preston, in doing so a starting point for ideas was created.

Figure 1- ‘Beside the Brambled Ditch’ Painting 1983

After looking at numerous paintings in the museum, this one had my attention. Titled ‘Beside the Brambled Ditch’ by Ian Mckeever in 1983, I was in awe by the fluid brush strokes. Also, the module this was going to help with, is drawing based, so I knew immediately it would help with practising that free hand. Another reason this painting had my attention for so long, was because it is actually a photograph of a pond and the artist covers it with paint, to express how he felt. No matter how long I looked, I really couldn’t see the photograph. However, the painting had started the thought process for the module.

Figure 2- 1972 Garment

Arguably a piece that I got even more inspiration from; a luxurious seventy’s dress. When I saw it, I knew it was going to play a big part in my module, but the difficulty was, there wasn’t much information on it. After contacting the Art Curator of the Museum, I finally had the backstory; the dress was bought in Speights for £69 in 1972. The designer was Susan Small, apparently the retail arm of Maureen Baker, the designer of Princess Anne’s wedding dress.

From that point, I’ve developed the idea of the dress (observing colour, silhouette) and used the time period to research other 1970 dresses- that decade becoming almost a theme. Also, keeping the painting involved, that has helped with observational drawings and method of expression to inform my own prints for the 70’s themed dresses I’ve illustrated.

Figure 3- Example of my own work. 

Overall, the above painting and garment both became a starting point for my module. Since taking inspiration from them, I’ve been able to continue to develop and inform my ideas to help towards my work.



Broken Nature Exhibition- Milan

Today- 22nd April- is Earth day, therefore finding it very appropriate to write about an exhibition I visited at the Triennale di Milano titled ‘Broken Nature: Design Takes on Human Survival’. I found each piece fascinating, so I thought I’d highlight a few of my favourites in a post.

Figure 1 & 2- Plastiglomerate

One of the first pieces to catch my attention were these, titled ‘Plastiglomerate’. These samples were described as ‘fossils of the future‘ because of all the plastic waste that ends up on our beaches, heavier pieces could end up being preserved in the sediment record. It was a stark shock to realise that’s what humans are doing to something that should be so natural.

Figure 3- Growing Varieties

Figure 4- Nanohana Heels

These heels were designed by British Japanese designer Sputniko, in collaboration with shoe designer Massaya Kushino. It started when scientists discovered rapeseed blossoms absorb radioactive substances from soil. These shoes have heels that plant rapeseeds with each step- ‘turning a stroll into a dynamic and reparative act’. I love the concept behind this, to think you could be helping the earth just by having a walk around.

Figure 5- Reliquaries

Titled ‘Reliquaries’ it was the idea of presenting natural elements because one day- at the rate the earth is dramatically changing- it may be that these things will become precious to us. Alluding to a moment where ‘a daisy might become more treasured than a diamond’. When I first looked at this, I was immediately confused, why was I standing in front of things that we have an abundance of? More importantly things I thought couldn’t be affected. But of course, with the way the world is going, everything is/will be affected and that’s a scary thought.

Figure 6- Sempione Park

Figure 7- Transitory Yarn

Designed by Alexandra Fruhstorfer, a system called ‘Transitory Yarn’ created to combat the fashion industry’s large waste issue and huge resource consumption. This makes it possible to dismantle and reknit items again, which I think is genius and something we need to see more of within the industry.

Figure 8- Sun Protection Clothing

Something I hadn’t thought of until coming across this piece, is the amount of sun cream bottles that end up in landfill, majority of them being made from plastic. However, protecting your skin against the sun’s rays is considered very important. So it was interesting to see garments that had been constructed with sun protection in mind.

Figure 9- The Black Forest

This chair, titled ‘The Black Forest’ reflects the suffering of forests and man’s involvement. It is made out of recycled plastic, iron and coal. What grasped my interest was the intricate detail that you wouldn’t pick up if you weren’t stood right in front of it. I think that with the dark, almost blurred marks you can tell it is representing torture.

Figure 10- Fishing Net Tops

Overall, I thoroughly enjoyed the Broken Nature Exhibition and only wish the Triennale Milan Museum was a frequent visit.